But to the style-conscious set, the Flip looked like a clunky Fisher-Price toy — especially when compared with a sleek, new iPod or more-sophisticated digital cameras — and was too thick to comfortably slip into a pocket. Last fall, Pure Digital introduced an enhanced version: the Flip Video Ultra, but its biggest aesthetic difference was new orange, pink and green colors.

Today, the company will begin sales of its $180 Flip Video Mino (pronounced “minnow”), the hippest offering yet from Pure Digital. This 60-minute Flip includes many firsts for the company: rechargeable batteries; touch-sensitive buttons rather than old-school, push-down buttons; and a thinner build that measures 40% smaller, overall. The Flip Mino is also the first one in the family to enable publishing to MySpace (NWS); prior software limited Web-site sharing to YouTube (GOOG) and AOL (TWX) Video.

I’ve been using a glossy, black Flip Mino (it also comes in white) for the past two weeks and it looks much cooler than older models. Its newly positioned USB adapter pops up from the top of the camera like something from a Swiss Army Knife. The Mino offers features such as the ability to lock the delete button, so no one accidentally deletes your videos, and mute all camera sounds, so as to record silently during quiet moments like wedding ceremonies or speeches.

I brought it along with me almost everywhere I went because of its small size and light weight, even fitting it into a thin clutch purse with a cellphone and BlackBerry (RIMM). I used the Mino in various situations ranging from bright, scenic outdoor settings to indoors while eating dinner in a candle-lit restaurant. Overall, I was pleased with the sound and picture quality of the Mino, and I found its built-in software, which automatically starts when the camera plugs into your Mac (AAPL) or Windows (MSFT) PC, to be a pleasure to use.

Today, Pure Digital Technologies introduced its $180 Flip Video Mino, a thinner, more stylish version of its point-and-shoot camcorder.

It took just a few minutes to trim excess footage from my videos before saving them to my computer or sharing them with friends and family. Another way to share videos from the Flip Mino is via Pure Digital’s server, which sends emails with embedded video links, saving upload and download time on both ends. Though I didn’t publish any of my videos on a public Web site, AOL, MySpace and YouTube were just one step away.

The Flip Mino’s touch buttons, while stylish, were difficult to use at first. I missed the tactile feel of physical buttons as I tried to hold this small video camera and press the zoom buttons using just one hand. The new, touch-sensitive buttons weren’t as satisfying and stable to use, and I pressed them accidentally more than a few times. For instance, the Zoom Out button is directly below Record, making it easy to mistakenly touch it. After about a week of using the Mino, I grew more accustomed to using these new touch buttons, but it shouldn’t take so long to make the adjustment.

Just looking at the Flip Mino’s fresh new exterior makes it hard not to think about the things that this redesigned camcorder is still lacking, like a larger viewing screen (the Mino screen is 1.5 inches, no larger than that of the Flip Ultra), high definition video and wireless sharing capability. These features would likely raise the price and/or tax the battery, and many users of the Flip flock to it for its low price and simplicity. Still, Pure Digital says that it will offer HD video and a larger screen on a product within a year, and is looking into features that might include wireless transferring.

I grew fond of the Mino’s rechargeable battery. Whenever I plugged this gadget into my computer to transfer videos, my Mino charged up via USB without me having to think about it. A full charge lasts four hours and recharging a dead battery takes about three hours.

Pure Digital says that the sound quality and lighting are improved in this model. Like previous models, this Flip records in 640×480 pixels at 30 frames per second.

The Mino didn’t have a problem with lighting in most situations; indeed it did a nice job of capturing images of my family sitting around a table in a restaurant with little more than candlelight to brighten the picture. It doesn’t use a flash or a built-in light, but instead uses automatic sensors to adjust to various levels of light.

This svelte camcorder seemed to handle noise more evenly than I remembered in prior Flip models. It didn’t make my voice sound unbearably louder than everyone else’s, even though I was closest to the camera’s microphone, yet it managed to detect voices across the room. I did have some trouble on a windy day: While recording a quick video of a golf course in San Diego, wind audibly muffled my voice during a few moments in the video.

Along with the delete-lock and sounds-off settings, this Mino has a few other tricks up its sleeve. Each of the touch-sensitive buttons is designed to glow only when usable, so as to better help people who might not know which buttons to press while using this camcorder. For example, only the zoom buttons glow while recording since the other buttons (volume, play/pause and delete) can’t function in this setting.

Shortcuts built into each button provide more functions: Holding the play/pause button down will set the playback mode to play all videos on the Mino; holding the seek ahead or seek back buttons while watching a video will fast-forward by seconds within that video; pressing the record button as the camera starts up opens up the settings menu.

In conjunction with the Flip Mino’s introduction Wednesday, prices of the former Flip Ultra model will drop to $150 for the 60-minute model. The Flip Ultra 30-minute model will be phased out, as will the Flip Classic, which will cost $130 for a 60-minute unit.

Though the Flip Mino’s touch-sensitive buttons look great, they aren’t as functional as they needed to be. But if you really want a sleek, hip-looking gadget, you’ll learn to adjust to these new buttons. No matter which Flip you choose, Pure Digital’s software changes the way people capture and share videos, and that’s a great thing.

Edited by Walter S. Mossberg

• Email mossbergsolution@wsj.com

Next time you get comfortable on the couch, remember that you’re relaxing in the consumer electronics battleground: the living room. Major tech companies are pouring resources into products they hope you’ll use to remotely receive your computer’s content — namely videos, music and photos — in a more comfortable place.

But while some of these complex solutions are still struggling to catch on, digital music marched steadily into the land of recliners long ago. IPods naturally plug into home stereos, multiplying music collections and bringing playlists to parties. And an industry of devices sprouted up specifically for playing iPods and other music players to a crowd.

This week, I tested a new version of one of these dock systems that specializes in wirelessly distributing music via small, cube-shaped speakers that can be spread throughout your house: the $300 Evolve speaker system from Griffin Technology Inc. (http://evolvespeakers.com). This setup offers a straightforward and stylish solution, delivering what I consider good quality sound.

Griffin Technology’s $299.99 Evolve is an affordable wireless speaker system.

Griffin’s attempt at claiming valuable real estate in the living room pits it against Sonos Inc., a high-end competitor that is already well-established in the wireless-music arena. Sonos sends digital tunes from your computers to up to 32 rooms using an attractive remote with a full-color screen. But this system starts at $1,000, not including speakers, and its computer-related set-up might intimidate potential buyers.

Closer competitors to Griffin’s Evolve can be found in Brookstone and Hammacher Schlemmer catalogs, where similar wireless speaker systems for the iPod are sold for $150 (on sale) and $400, respectively. Brookstone’s set-up includes small, spherical wireless speakers and Hammacher’s uses bulkier, rectangular-shaped wireless speakers with visible antenna.

I tested the Evolve system using my iPod touch and a first generation iPod nano bought in 2005. Both devices worked with the system, and the Evolve speakers connected wirelessly to the base station from up to 150 feet away on the digital 900MHz spectrum, which doesn’t interfere with Wi-Fi and works through walls and floors. Two speakers come with the system, each carrying a charge of 10 hours according to Griffin, though I got 11 in my tests.

Evolve has some downsides. While it’s great to know that its speakers work 150 feet away from the base station and iPod, they can only be controlled by the base station or by a remote control in view of the base station. So, if you and the speakers are in a room without the base station, you can’t see any information about the song that’s playing, nor can you adjust the volume. Each speaker does have its own power button.

And when I switched from my iPod touch to the iPod nano, the Evolve remote stopped working, and I couldn’t get the remote to work with my iPod touch again. Griffin acknowledged a bug that occurs with speaker systems when an iPod isn’t up to date with the latest firmware, which it wasn’t, and assured me that updating the device, unplugging and re-plugging the Evolve would fix the issue. These fixes didn’t help, nor did repairing the remote, and there wasn’t time for Griffin to send a new remote. I continued to use Evolve without the remote, but hope that other units won’t operate like mine.

Griffin’s Evolve base station seems to hover just inches off the ground and is made of a brushed aluminum. Left to right, it measures about 16 inches, and an iPod dock and three buttons mark the center of the base station. Two squat antenna stand behind this dock, and square wells on the left and right give the speakers a place to rest while charging. These wire-free charging wells are designed with overcharge/undercharge protection, so each speaker’s battery isn’t harmed by resting on the base station for a long period of time.

When the remote was working with my iPod touch, I navigated through songs from across the room, pausing and adjusting volume. I easily carried the speakers into my kitchen using handles built into the back of these cubes, and my roommate enjoyed listening to Amy Winehouse in stereo while she made dinner. But during the actual dinner, when we wanted to turn the volume down, we had to walk back to the living room where the base station was located while calling down the hall to one another to find out if the sound was low enough.

Hidden indicator lights in each speaker tell whether they’re charged or not; orange signifies a charge is needed, while green means you’re in the clear. A switch on the base station changes the speaker sound from mono (useful when listening to audio books) to stereo. Each speaker contains built-in technology that assigns it to automatically know if it’s right or left. To conserve battery, a speaker that’s turned on but isn’t playing music will turn off after 60 minutes.

I kept my speakers on for 11 hours straight before they pooped out, moving them to different floors and as far from the base station as possible — the signal stayed strong. In just two hours, the pair was recharged. I kept the volume pretty low for at least half the time my speakers were on, and Griffin says lower volumes conserve battery, and vice versa. I listened to all sorts of music, including hip-hop, jazz, country, rock and classical. I’m no audiophile, but to my ear, the Evolve handled each genre with aplomb.

All iPods (even the iPhone) work with Griffin’s Evolve, and this gadget will also work when connected to other MP3 players, stereos, TVs, and CD players, which could come in handy. In early March, Griffin will sell add-on speakers for $99 each with separate charging plates for $30 apiece; $200 bundles will include two speakers and two charging plates. There’s no limit to the number of speakers that you can add to a system.

Though Griffin’s Evolve lacks some of the luxuries that high-end systems have, it solves a problem with minimal effort on the user’s part, and looks good while doing it. If you don’t mind returning to the base station to make adjustments, and if your remote doesn’t stop working, you’ll enjoy this sleek and functional device.

• Email mossbergsolution@wsj.com

Corrections & Amplifications:

Griffin Technology Inc.’s Evolve wireless sound system uses a remote that can control certain functions of the iPod, even when it is out of sight of the base station. This column erroneously implies that the remote must be in view of the system to work.

It seems that this last attribute — the ability to make and receive calls on a cellphone — is overlooked and underestimated by many manufacturers. But believe it or not, there are plenty of people out there who simply want to use their cellphones for calls, period.

These individuals range from college students who frequently damage or lose their phones to wary, first-time buyers to senior citizens whose kids or grandchildren insist they use a cellphone. About a year ago, GreatCall Inc. introduced its Jitterbug cellphones, which were aimed squarely at the senior set with large keys, a free operator service and the phone’s own number prominently displayed on a sticker.

It seems that GreatCall was on to something. Verizon Wireless recently followed the company’s lead by introducing its straightforward, no frills Coupe, a cellphone that offers many of the helpful traits found on Jitterbug phones, like large screen fonts, but without a lot of extras. Verizon simultaneously unveiled two calling plans designed specifically for seniors, and was followed a month later by AT&T and its own monthly plan for those 65 and over. AT&T also has an uncomplicated phone of its own in the works for 2008.

This week I tested Verizon’s $40 (with a two-year contract) Coupe (www.verizonwireless.com) against GreatCall’s $147 Jitterbug Dial (www.jitterbug.com) to see how the two stacked up. I found the Jitterbug more comfortable to use for longer phone calls because of its cushiony earpiece, which blocks out external sound and helps the phone rest easier between your shoulder and ear during conversations. And Jitterbug’s mantra of simplicity will appeal to cellphone newcomers.

But for those who have been using cellphones and are familiar with the way they work, Jitterbug’s nonconformist features — like Yes and No buttons in place of Send and End and the use of a dial tone whenever the clamshell-shaped phone is opened — can come across as too basic, to the point that they’re confusing. One example: many standard cellphones redial the last number called when the Send button is pressed twice, but redialing on the Jitterbug requires navigating through five screens to redial the last number.

The Coupe is the smaller of the two and blends in with other cellphones. It includes a few of the extra functions found in normal mobile phones, like an alarm clock, calculator and the capability to send and receive text messages; perhaps most people who buy the Coupe won’t use it for texting, but it’s nice to have the built-in option. (The Jitterbug doesn’t have any of these features.) Right now, this cellphone only comes in shiny black with a blue border around its outside display screen. An included charging cradle adds a touch of convenience.

The Coupe also has some fun features that give it a more personal touch, including a choice of 24 ringtones and 10 wallpaper designs for the main screen’s background. After seeing low-grade camera lenses on nearly every digital device that I’ve picked up recently, the Coupe looked a little naked without one.

Three red buttons labeled I, C and E (for In Case of Emergency) are positioned just below the phone’s screen and can be assigned names and numbers to work as shortcuts to those most often called. A specially marked “911″ button on the phone’s keypad is designated specifically for emergencies, though this must be held down to use and, even then, asks if the caller definitely intended to call 911.

A speaker button is also clearly labeled on the Coupe’s keypad, and pronounced volume adjustment keys line the phone’s side. On-screen fonts appear larger than those found on regular cellphones.

Verizon’s well-known network is sure to be a draw for potential buyers, especially because any plan used with the Coupe includes free calls to other Verizon Wireless users. Though any of this carrier’s plans work with this basic phone, the Nationwide 65 Plus plan made its debut with the Coupe in hopes of appealing to those ages 65 and up. A single-line plan allows 200 anytime minutes and 500 night and weekend minutes for $30 monthly; the two-line plan offers roughly double the minutes (to be shared) for double the price. These plans aren’t exclusively usable with the Coupe.

GreatCall’s Jitterbug comes in two $147 models: the Dial, with a numeric keypad and the OneTouch, with just three large buttons labeled Operator, Tow and 911. I’ve tested both in the past, but this time around I looked at the Dial because it’s most comparable to Verizon’s Coupe.

The Jitterbug Dial phone comes in black or white, and its buttons and all of its on-screen lettering appear considerably larger than the Verizon Coupe’s. Its number keys glow bright white and are encircled by yellow borders, while the Coupe’s digital keypad is black with glowing blue numbers — colors that aren’t as distinctive. Unlike the Coupe, Jitterbug doesn’t come with a charging cradle, though GreatCall has plans for adding cradles in 2008.

A free operator service can be reached from Jitterbug phones by pressing “0.” This operator greets users by name, places calls on the user’s phone (saving you the trouble of dialing) and can add numbers to a phone’s contact list if a user doesn’t want to or can’t do this.

The Jitterbug can be pre-programmed with names and numbers; I ordered mine with five pre-programmed numbers, a luxury that nervous new cellphone owners might find worthwhile. Things get difficult when you try to enter your contacts. Even though each number key has three or four letters assigned to its key as on all phones, adding a contact involves using Jitterbug’s clumsy system of choosing one letter at a time from the screen. You’re better off using the free operator service for this.

Jitterbug phones let users store only 50 contact names and numbers, while Verizon’s Coupe will store 500. Many first-time cellphone owners will be content with 50, but, again, options are good.

The Jitterbug and Coupe each have small screens on their outer shells that display the time, date and phone numbers of incoming calls. But the Coupe displays its remaining battery power both on this outer screen and inside on its main screen, while the Jitterbug only flashes battery status on the screen if the battery reaches a certain low level, or if you navigate to a special “Phone Info” screen.

Behind the scenes, GreatCall’s Jitterbug phones run using networks set up by other carriers; I never had any trouble dialing out or receiving calls. A variety of calling plans can be used with Jitterbug phones ranging from $10 monthly for pay-as-you-go at 35 cents a minute to $80 monthly for 800 minutes. Add-on packages of minutes and sharing plans are also available.

If you’re familiar with cellphones, the Jitterbug will be a confusing step back for you, even though its free operator service and comfortable earpiece are pluses. Some people will prefer the Jitterbug’s larger fonts and number keys to the Verizon Coupe’s smaller, more stylish build. Still, the Coupe is a good option for people who have at least some familiarity with technology and cellphones. Each in its own way does a good job of sticking to the basic task of handling phone calls.

Edited by Walter S. Mossberg

Email mossbergsolution@wsj.com.