The Mossberg Solution » sound

Bluetooth Headsets That Up the Chic Factor

Katherine Boehret — Wed, 02 Sep 2009 00:08:04 +0000

The cover of Wired magazine’s August issue showed Brad Pitt wearing a Bluetooth headset with the words, “Ditch the headset. He can barely pull it off—and you are not him.”

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Fashionable or not, more people are wearing these wireless headsets for making phone calls in the car and in everyday life. This week, I reviewed two that look stylish enough that you won’t mind being seen wearing them: Plantronics Inc.’s Discovery 975 (Plantronics.com) and Aliph’s Jawbone Prime (Jawbone.com).

These Bluetooth headsets cost $130 each and use the best technology from their respective companies, including impressive-sounding features like AudioIQ 2, WindSmart, NoiseAssassin 2.0 and an Acoustic Voice Activity Detector. Each headset aims to deliver clearer incoming and outgoing sound.

After using these two headsets in an office, while walking through noisy city streets and as I drove a car with its windows open, I found that I liked the Plantronics Discovery 975 more than the Jawbone Prime. It felt more comfortable and stable in my ear, and its longer boom fit my face better than the Jawbone Prime’s stubby build. I was able to hear people more clearly while using the Plantronics (PLT) earpiece. But on the other end of the call, friends said the Jawbone Prime did a better job of muffling noise.

The Plantronics Discovery 975 also has something that the Jawbone Prime doesn’t have: a carrying case that holds the earpiece and charges it on the go. This charging case can triple the device’s talk time from five to 15 hours, and it holds its charge for a week on standby. A display on the case shows how much battery remains both in the charged case and on the earpiece itself when it’s held in the case.

Aliph’s Jawbone Prime

I liked using this case because it meant I didn’t have to think so often about charging my headset. It also gave me a place to keep the small Discovery 975 earpiece, making it harder to lose in the bottom of a purse or large work bag. Though people who don’t carry briefcases or purses wouldn’t likely use this case, it’s convenient to have the option.

None of the Jawbone models come with carrying cases, though stores like Best Buy sell some cases that will hold Jawbone headsets. In the future, Aliph says it plans to make its own cases that will hold and charge its Jawbone headsets.

Aliph’s Jawbone has always been one of the most stylish Bluetooth headsets, thanks to its compact form factor and disguised buttons. The Jawbone Prime follows suit with a design that makes it appear slightly smaller than its predecessor. It comes in seven colors, including four especially bright “EarCandy” hues: Drop Me a Lime, Lilac You Mean It, ‘Yello! and Frankly Scarlet. The Prime maintains the original Jawbone’s namesake design feature: If worn properly, it touches your face near your jawbone and removes background noise. But a new feature also uses sound to detect the speaker’s voice and eliminate extraneous noise, so the headset doesn’t always need to touch the face.

The design of the Plantronics Discovery 975 ups the company’s chic factor by replacing its former model’s triangular boom with an elegant boom made of a single thin metallic sliver. It reminded me more of jewelry than a tech gadget. Like the Jawbone models, it looks less geeky because buttons are disguised, and it doesn’t emit a blinking blue light while in use—an improvement for Plantronics. The Discovery 975 comes only in graphite, though AT&T (T) stores will carry it in silver.

I started testing the Plantronics Discovery 975 and Jawbone Prime from my quiet office, without any distracting background noise. There, the Plantronics headset sounded better than the Jawbone, making my voice sound crisper, according to the person on the other end of line; likewise, his voice sounded louder to me. He also said he couldn’t tell I was using a headset while I was on the Discovery 975, but definitely knew I was on a headset while I used the Jawbone Prime.

The Plantronics Discovery 975

Next, I walked along the streets of busy downtown Washington, D.C., chatting on each headset while standing steps away from the squeaky sound of car brakes and taxis honking. Here, the Jawbone did a better job of fading that street noise into the background, compared to the Plantronics headset.

I also took turns using the Jawbone Prime and Plantronics Discovery 975 while driving through the city with all four car windows open to test the antiwind capabilities of each. Here again, the Jawbone Prime sounded better to the person on the other end, though the Plantronics didn’t sound bad. My friend said it would have been impossible to guess where I was while making the phone call using the Jawbone Prime. But from my end of the call, I was able to hear slightly better while using the Plantronics Discover 975.

While using the Jawbone, I accidentally hung up on friends in midconversation a few different times because the place where I pressed to secure the earpiece in my ear was also the Talk button. I tried each of the Jawbone Prime’s three fit earbuds, three round earbuds and its included earloop, but none of these felt as comfortable as the Plantronics headset.

Both headsets are capable of using Multipoint technology, allowing them to connect to two Bluetooth devices at once. They’re each lightweight at .28 ounce and .35 ounce for the Plantronics and Jawbone, respectively; the Plantronics case weighs 1.27 ounces. According to each company, the Plantronics headset takes one-and-a-half hours to fully charge and lasts for five hours of talk time; the Jawbone takes 50 minutes to fully charge and lasts four and a half hours of talk time.

When both headsets were in front of me and I wanted to make a hands-free call, I reached for the Plantronics Discovery 975 because of its overall fit and feel in my ear. It stayed in place using a soft, gel insert that wasn’t uncomfortable, even after long conversations. Its sound quality was good enough for me.

Edited by Walter S. Mossberg

Write to Katherine Boehret at mossbergsolution@wsj.com

Flip Camcorder Goes High-Def

Katherine Boehret — Wed, 12 Nov 2008 01:40:05 +0000

Over the past couple of years, Pure Digital Technologies has changed the way people think about video cameras by turning these heavy, expensive, intimidating devices into affordable, user-friendly gadgets that fit into a shirt pocket.

To keep the prices of its Flip camcorders affordable, Pure Digital always made some sacrifices in quality and style. And though the company improved on style in June by releasing the sleek $180 Flip Mino, it stuck with standard definition while other companies boasted high-definition capturing capabilities.

The $230 Flip MinoHD is the first camcorder from Pure Digital Technologies to use high definition.

Today, Pure Digital adds a high-def member to its family: the $230 Flip MinoHD. This handheld camcorder looks like the original Mino (more digital camera than video camera), but the MinoHD is capable of capturing high-definition footage in 1280×720 pixel resolution, or 720p. (The regular Mino records at 640×480 pixels.)

Both cameras can be personalized with colorful designs that people can either make themselves or select from TheFlip.com. It’s also possible to upload personal photos to decorate the camcorder. This personalization process is free on new Minos, but people who want to personalize Minos they already own are out of luck.

I brought my MinoHD along on a weekend trip to a lake in North Carolina and used it to capture beautiful images of leaves at their color-changing peak and games of charades among friends. Overall, I really liked the quality of the footage, which had rich hues and sharp details such as glistening ripples of waves on the lake’s surface. And the MinoHD’s improved sound even clearly picked up the voices of two guys paddling away from our dock in a canoe.

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But if you’re the type of person who likes to play back videos after capturing them, you might be disappointed that the MinoHD’s 1.5-inch screen is no larger than the previous models. This means you won’t get a good look at the high-definition footage until you play clips back on a computer.

Another downside is that high-definition footage is much too large to easily send to others in its original format, so it must be compressed to 480×270-pixel resolution for sharing on Pure Digital’s software. Previous Flips also compressed videos for sharing (the Mino uses 360×270), but I particularly missed the ability to easily show others my videos in HD quality via the camera’s software. Pure Digital says it’ll enable HD sharing through a partner company by early next year.

The Flip MinoHD weighs 3.3 ounces and has four gigabytes of internal memory, or twice that of its predecessor, yet both hold 60 minutes of video because the HD format takes up twice as much space. In true Pure Digital style, the camera’s seven buttons are easy to use: Press the red record button to start and stop, and press plus or minus buttons to zoom in or out with a 2x digital zoom while recording. A play/pause button plays back videos and a delete button gets rid of unwanted footage to free up memory; alternatively, videos can be offloaded to a PC.

The MinoHD comes loaded with new software called FlipShare. I found this worked much better than Pure Digital’s previous sharing software, which was rather straightforward but had its share of quirks and rough edges. FlipShare worked on Macs and PCs running Windows Vista and XP. I should note that the software crashed and insisted on changing the color scheme on my Vista laptop the first two times I plugged in my MinoHD, but I had no problems after that.

FlipShare’s use of drag-and-drop video organizing resembles the way that Apple (AAPL) iTunes songs can be dragged into playlists. And just as iTunes searches for music when it’s installed, FlipShare scoured my computers for other Flip videos, neatly arranging those clips into folders. I easily named videos, and clips not saved to the computer were clearly marked as “Unsaved.” Eight large icons at the bottom of the FlipShare software illustrate what can be done with the videos: save to computer; play full screen; share via email, greeting card or Web site (YouTube, AOL Video or MySpace — no Facebook as of yet); or create a movie, snapshot or DVD.

FlipShare works with other Pure Digital camcorders, and users of the older software will get a prompt to upgrade to FlipShare next week. It’s also fully compatible with Apple’s video applications, including iMovie and iDVD. And when I plugged in my MinoHD, iTunes opened and asked if I wanted to import my MinoHD footage.

Pure Digital says the MinoHD’s internal battery lasts for two hours of overall use (recording, playback, standby, etc.) or for 90 minutes of straight recording. Compared with other Flip video cameras, this battery life is half that of the Mino and on par with the older Flip Ultra, which runs on two double-A batteries.

After using the fully charged device to record 60 minutes of footage over a weekend, I still had about one hour remaining. It charges by plugging its pop-out USB connector into any computer’s USB port, and will also work with some USB chargers, though not Apple’s. Pure Digital will sell a standalone charger for $20 that should be available by the end of the year.

If you’re in the market for a simple camcorder that records high-quality video, the Flip MinoHD is definitely worth $50 more than the regular Flip Mino. But don’t say I didn’t warn you so when you’re bummed out by the screen’s still-small size and its inability to share true HD footage via the FlipShare software.

– Edited by Walter S. Mossberg

Email us at mossbergsolution@wsj.com. Find this and other columns and videos online free at the All Things Digital Web site: http://walt.allthingsd.com

Flip Video Mino Takes Aim at the Cool Set

Katherine Boehret — Wed, 04 Jun 2008 00:01:00 +0000

When Pure Digital Technologies Inc. introduced its Flip point-and-shoot camcorder a year ago, it dramatically simplified video recording. The Flip measured the size of a small digital still camera, cost less than $150 and its videos could be emailed in one quick process. Consumers gobbled up the tiny, nonintimidating device.

But to the style-conscious set, the Flip looked like a clunky Fisher-Price toy — especially when compared with a sleek, new iPod or more-sophisticated digital cameras — and was too thick to comfortably slip into a pocket. Last fall, Pure Digital introduced an enhanced version: the Flip Video Ultra, but its biggest aesthetic difference was new orange, pink and green colors.

[ See post to watch video ]

Today, the company will begin sales of its $180 Flip Video Mino (pronounced “minnow”), the hippest offering yet from Pure Digital. This 60-minute Flip includes many firsts for the company: rechargeable batteries; touch-sensitive buttons rather than old-school, push-down buttons; and a thinner build that measures 40% smaller, overall. The Flip Mino is also the first one in the family to enable publishing to MySpace (NWS); prior software limited Web-site sharing to YouTube (GOOG) and AOL (TWX) Video.

I’ve been using a glossy, black Flip Mino (it also comes in white) for the past two weeks and it looks much cooler than older models. Its newly positioned USB adapter pops up from the top of the camera like something from a Swiss Army Knife. The Mino offers features such as the ability to lock the delete button, so no one accidentally deletes your videos, and mute all camera sounds, so as to record silently during quiet moments like wedding ceremonies or speeches.

I brought it along with me almost everywhere I went because of its small size and light weight, even fitting it into a thin clutch purse with a cellphone and BlackBerry (RIMM). I used the Mino in various situations ranging from bright, scenic outdoor settings to indoors while eating dinner in a candle-lit restaurant. Overall, I was pleased with the sound and picture quality of the Mino, and I found its built-in software, which automatically starts when the camera plugs into your Mac (AAPL) or Windows (MSFT) PC, to be a pleasure to use.

Today, Pure Digital Technologies introduced its $180 Flip Video Mino, a thinner, more stylish version of its point-and-shoot camcorder.

It took just a few minutes to trim excess footage from my videos before saving them to my computer or sharing them with friends and family. Another way to share videos from the Flip Mino is via Pure Digital’s server, which sends emails with embedded video links, saving upload and download time on both ends. Though I didn’t publish any of my videos on a public Web site, AOL, MySpace and YouTube were just one step away.

The Flip Mino’s touch buttons, while stylish, were difficult to use at first. I missed the tactile feel of physical buttons as I tried to hold this small video camera and press the zoom buttons using just one hand. The new, touch-sensitive buttons weren’t as satisfying and stable to use, and I pressed them accidentally more than a few times. For instance, the Zoom Out button is directly below Record, making it easy to mistakenly touch it. After about a week of using the Mino, I grew more accustomed to using these new touch buttons, but it shouldn’t take so long to make the adjustment.

Just looking at the Flip Mino’s fresh new exterior makes it hard not to think about the things that this redesigned camcorder is still lacking, like a larger viewing screen (the Mino screen is 1.5 inches, no larger than that of the Flip Ultra), high definition video and wireless sharing capability. These features would likely raise the price and/or tax the battery, and many users of the Flip flock to it for its low price and simplicity. Still, Pure Digital says that it will offer HD video and a larger screen on a product within a year, and is looking into features that might include wireless transferring.

I grew fond of the Mino’s rechargeable battery. Whenever I plugged this gadget into my computer to transfer videos, my Mino charged up via USB without me having to think about it. A full charge lasts four hours and recharging a dead battery takes about three hours.

Pure Digital says that the sound quality and lighting are improved in this model. Like previous models, this Flip records in 640×480 pixels at 30 frames per second.

The Mino didn’t have a problem with lighting in most situations; indeed it did a nice job of capturing images of my family sitting around a table in a restaurant with little more than candlelight to brighten the picture. It doesn’t use a flash or a built-in light, but instead uses automatic sensors to adjust to various levels of light.

This svelte camcorder seemed to handle noise more evenly than I remembered in prior Flip models. It didn’t make my voice sound unbearably louder than everyone else’s, even though I was closest to the camera’s microphone, yet it managed to detect voices across the room. I did have some trouble on a windy day: While recording a quick video of a golf course in San Diego, wind audibly muffled my voice during a few moments in the video.

Along with the delete-lock and sounds-off settings, this Mino has a few other tricks up its sleeve. Each of the touch-sensitive buttons is designed to glow only when usable, so as to better help people who might not know which buttons to press while using this camcorder. For example, only the zoom buttons glow while recording since the other buttons (volume, play/pause and delete) can’t function in this setting.

Shortcuts built into each button provide more functions: Holding the play/pause button down will set the playback mode to play all videos on the Mino; holding the seek ahead or seek back buttons while watching a video will fast-forward by seconds within that video; pressing the record button as the camera starts up opens up the settings menu.

In conjunction with the Flip Mino’s introduction Wednesday, prices of the former Flip Ultra model will drop to $150 for the 60-minute model. The Flip Ultra 30-minute model will be phased out, as will the Flip Classic, which will cost $130 for a 60-minute unit.

Though the Flip Mino’s touch-sensitive buttons look great, they aren’t as functional as they needed to be. But if you really want a sleek, hip-looking gadget, you’ll learn to adjust to these new buttons. No matter which Flip you choose, Pure Digital’s software changes the way people capture and share videos, and that’s a great thing.

Edited by Walter S. Mossberg

Email mossbergsolution@wsj.com