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A Downsized BlackBerry Bold With Oomph

Katherine Boehret — Tue, 10 Nov 2009 23:16:08 +0000

Almost exactly one year ago, Research In Motion introduced what I then called the Buick of BlackBerrys: the BlackBerry Bold. It was bulky, heavy and seemed made for the holster-wearing set. But what it lacked in style it made up for in comfort. It had a generously sized keyboard, bright screen and even a leatherette back to accent its luxurious side. The Bold was RIM’s first BlackBerry to run on the fast 3G network, and AT&T was asking $300 for it—$100 more than the least expensive Apple iPhone at the time.

Much has changed in a year, most notably the growing number of serious competitors vying to steal customers from RIM (RIMM) and Apple (AAPL), and the surge of applications (“apps” for short) available for these super smart phones.

[ See post to watch video ]

This week, I tested RIM’s new BlackBerry Bold 9700 (na.blackberry.com), which will be available on Nov. 27 for $200 with a two-year T-Mobile contract. Like the original Bold, the Bold 9700 has a leatherette back. But that’s where the similarities end. This new version reminds me of the original Bold after a diet: smaller in every dimension—width, height, depth and weight—and, physically, it’s a lot like the newer BlackBerry Curve models. (I use the Curve 8900 every day, and after using the two together for a week I still mistook them for one another at a glance.)

RIM has long been proud of its diverse selection and the fact that it doesn’t force a “one size fits all” theory on its users. Instead, it offers BlackBerrys in all shapes and sizes, ranging from the Pearl Flip, a flip phone with a built-in BlackBerry, to the Storm 2, a touch-screen device without a physical keyboard, and several models in between.

Now, the Bold has dropped its distinguished characteristics. The Buick of BlackBerrys has become as common as the Toyota Camry. Is there nothing left for the user who likes a large, luxurious BlackBerry?

In a side-by-side comparison between this new Bold 9700, the Curve 8900 ($150 after a $100 mail-in rebate) and the Tour 9630 ($150 after Verizon’s $100 online discount), the physical differences are almost imperceptible. And these models don’t look all that different from the Curve 8520, which costs $50 with a two-year T-Mobile contract when bought at Wal-Mart (WMT).

The new Bold’s smaller size means its keyboard also is slightly smaller than its predecessor: It measures about 5.5 centimeters across rather than 5.9 centimeters. I still found it relatively comfortable to use. But this keyboard is almost exactly the same as the keyboard on the BlackBerry Tour, except the new Bold’s bottom row of keys is slightly shorter. Unlike the keyboard found on the Curve 8900 and other less-expensive Curves, the keys on the Bold 9700 are positioned side by side with no spaces between them, and horizontal rows are divided by chrome frets.

Look familiar? The BlackBerry Bold 9700 now resembles existing BlackBerrys.

While the Bold 9700 looks rather undistinguished, it has a few less-obvious attributes that give it a little oomph. For starters, it uses a trackpad for scrolling the screen. Longtime Blackberry users will remember the original scroll wheel, which was on the right side of the device. In 2006, the scroll wheel was replaced with a trackball on the front of the device. This September, that trackball was replaced by a trackpad as first seen on the Curve 8520, and its appearance on this new Bold confirms RIM’s decision to use it as the navigational tool of choice.

This trackpad is a tiny, touch-sensitive square that works by sensing a finger’s directional movements. Pressing in on the trackpad, like pressing in on the trackball, selects something on the screen. At first, I missed the satisfying physical feel of scrolling with the trackball, and the trackpad felt fast and less controllable to my thumb. But I soon got used to the trackpad and appreciated that it does away with all moving parts that could possibly get stuck—a trackball hazard for many BlackBerry users. The trackpad also establishes a flat layer beneath the screen that looks sleek and smooth in line with the four navigational buttons.

Another advantage of the Bold 9700 is its battery life. If you take off this BlackBerry’s leatherette back, a battery that measures almost the size of the device itself lies beneath. This large battery supplies the Bold 9700 with enough juice to last up to 19 days in standby mode. By comparison, the BlackBerry Tour and Curve 8900 last for up to 14 days each in standby. The new Bold’s talk time is up to six hours, slightly better than the Curve 8900’s 5½ and an hour better than the Tour’s five-hour talk time.

This thinner, lighter, smaller Bold is more comfortable to use for phone calls than the original, which could make users feel like they were holding a small piece of toast up to their ear during calls. I made several calls with no problems. Emailing on this Bold 9700 was as simple as always, and I set up four email accounts for testing.

Despite its fancy new BlackBerrys, RIM needs to overhaul the way it handles apps. The Bold 9700 comes preloaded with a prominently positioned icon for RIM’s BlackBerry App World store. But apps downloaded from here still go right into the “Downloads” folder, sending users unfamiliar with this system into a frantic search for their newly downloaded app.

And not all apps go into that folder; the Facebook app goes straight to the “Apps” folder. Why not put every new app right on the home screen and let me put them into folders if I so choose?

Once apps are downloaded, RIM neglects to notify you when all apps need to be updated. On my personal Curve 8900, I recently dug into the settings of my TwitterBerry and Facebook apps and manually checked to see if updated versions were available for each. This was the case, and I downloaded the new versions, but most people would never think to check for this kind of thing. Instead, RIM should send notifications about available updates for all apps.

The Bold 9700 runs on T-Mobile’s 3G network, which isn’t nearly as established as the 3G networks that Verizon (VZ) and AT&T (T) offer. It also can connect to Wi-Fi and allows voice calls to be made over Wi-Fi. (The BlackBerry Tour connects to Verizon’s 3G network but doesn’t have Wi-Fi—a huge downside. The Curve 8900 connects to Wi-Fi but not to 3G.)

The other attributes of the Bold 9700 are like the BlackBerry Curve 8900 and Tour: They all have cameras with flashes that are capable of capturing 3.2-megapixel photographs, bright 480×360-pixel displays, built-in GPS and slots for microSD memory cards so as to expand their memory.

If you’re considering a BlackBerry upgrade, the Bold 9700 offers 3G and Wi-Fi, a combination not offered by another BlackBerry with a full physical keyboard—other than the original Bold. But since many of the Bold 9700’s features are about the same as less-expensive BlackBerrys, it’s worth considering the Tour and Curve 8900 before you spend $200 on a device that no longer lives up to its bold name.

Edited by Walter S. Mossberg

Write to Katherine Boehret at mossbergsolution@wsj.com

Netbooks That Are Easier on the Eye

Katherine Boehret — Wed, 28 Oct 2009 00:07:40 +0000

Like clockwork, retailers were ready for Microsoft Corp.’s (MSFT) Windows 7 release last week with new desktops, laptops and netbooks, those inexpensive, smaller laptops that have become popular in the past year. Included in this selection of netbooks are some that improved the poor screen resolutions that have plagued these tiny PCs.

[ See post to watch video ]

Screen resolution isn’t the same as the size of the screen itself. Rather, it is related to the number of pixels—or distinct dots—on a display, and an indication of how much material can be seen on the screen without scrolling. A higher-resolution screen allows you to see more of a Web page, spreadsheet or list of emails than a lower-resolution screen, even if both are the same physical size.

Because higher-resolution screens cost more, most netbooks come with low-resolution screens to keep prices down. But poor resolution combined with a small netbook screen results in frustrating visuals, like Web pages that display just a small portion of their contents, forcing you to scroll down or horizontally to see the rest of the page.

This week, I tested two Windows 7 netbooks with unusually high-res screens: Hewlett-Packard Co.’s (HPQ) HP Mini 311 with an 11.6-inch screen and a resolution of 1,366-by-768 pixels, and Nokia Corp.’s (NOK) Booklet 3G with a 10.1-inch screen and a resolution of 1,280-by-720-pixels. Both these small computers display the bulk of most Web pages without any scrolling necessary—a big relief on a netbook.

Though high-resolution screens make these netbooks easier on the eyes than others, I still had trouble adjusting to their shrunken features. I liked typing on the HP Mini’s generous keyboard, which H-P says is 92 percent of full size. But its touchpad buttons felt stiff and uncomfortably located at the edge of the computer. The Nokia Booklet had the opposite problem: Its touchpad and buttons worked fine, but its tiny keys made me feel like I was typing on a kiddie computer.

Nokia’s Booklet 3G has a long battery life and sleek design.

Nokia is a bit more of a newsmaker here, because when the Booklet 3G (nokiausa.com) comes out in mid-November, it will be the first foray by the Finnish mobile-device company into the laptop space. Best Buy (BBY) began taking advance orders for them this week. It costs $300 if purchased with AT&T Inc.’s (T) two-year Data Connect plan, which costs $60 a month for five gigabytes of data and allows users to toggle back and forth between two kinds of wireless connections, cellular 3G and Wi-Fi. If purchased without the AT&T plan, the Booklet 3G costs $600—a lot for a netbook—including only Windows 7 Starter, the low-end version of the new OS, and one gigabyte of memory.

The thing most people will notice right away about Nokia’s netbook is that it seems to take its design cues directly from Apple Inc. (AAPL) Like the MacBook Pro, the Nokia Booklet 3G is made from a single piece of aluminum, and its keyboard is made of black Chiclet-style keys. Its edges are rounded and smooth. I used one with a glossy black lid, but it will also come in shades of ice white or azure blue.

Nokia boasts that this netbook’s battery will last for 12 hours; after running it through a harsh test with its screen cranked up to the brightest setting, Wi-Fi on, music playing on a continuous loop and all power-saving features turned off, it ran for almost eight hours straight. This means that under normal circumstances, the battery might last for a remarkable 10 hours.

The Booklet 3G that I used differs from Nokia’s final release version in a few ways: Mine wasn’t loaded with AT&T’s Connection Manager software, which enables switching between Wi-Fi and 3G; it lacked the Nokia Social Hub software, which the company says allows users to track social-media feeds and text messages; and the GPS wasn’t yet connected to the U.S. map data server. My Booklet 3G included Ovi Suite, a Nokia-designed software program to bridge the connection between some Nokia smartphones and the Booklet 3G, like iTunes for the iPhone or BlackBerry’s Desktop Manager. But the software I had wasn’t the final version.

Unlike Nokia, H-P is no stranger to netbooks, having released nine of its Mini models in the past year. The HP Mini 311 (hp.com/go/mini) costs $400 when purchased with Windows XP and costs an additional $50 when loaded with Windows 7 Home Premium. The Mini that I tested costs $474 because it also had two gigabytes of memory rather than one gigabyte.

The H-P model is a little bigger all around compared with the Nokia, with an inch-larger screen; it weighs 3.22 pounds compared with 2.76 pounds for the Nokia. Both felt relatively thin and light, and I carried them home together from my office with ease. The HP Mini 311 had H-P’s subtle Black Swirl pattern on its lid—a faint pattern of silver swirls noticeable only at certain angles. It also comes in White Swirl.

I ran the same battery test on the HP as I did with the Nokia, and it lasted four hours and 15 minutes, giving it roughly six hours of juice under normal circumstances. H-P estimates that the Mini 311’s battery will last for six hours and 25 minutes.

I didn’t run into any problems while installing and using several programs on each of these netbooks, including Windows Live Essentials, Mozilla’s Firefox browser, Picasa 3, TweetDeck, Adobe (ADBE) Reader and iTunes. The HP Mini felt more responsive and, in fact, loaded some programs a little faster, but it had twice the memory.

Both netbooks have slots for memory cards, HDMI ports for connecting to HD screens and three USB ports. And they come with built-in Web cams, a common feature on netbooks.

A cold start on both the Mini 311 and Booklet 3G required roughly the same amount of time: one minute and eight seconds for the H-P, and a minute and 12 seconds for the Nokia. But restarting was a different story. While playing a song in iTunes, running three Web pages in Firefox and using TweetDeck, I selected Restart. The HP Mini 311 took a minute and 20 seconds while the Nokia took nearly two minutes.

Even without the AT&T discount, the Nokia Booklet 3G’s extra-long battery life and sleek design will be worth the extra money for some people—just beware its tiny keyboard. The HP Mini 311 is a good all-around netbook with a comfortable keyboard for typing. No one will be disappointed by the terrific screen resolutions.

-Edited by Walter S. Mossberg

Write to Katherine Boehret at mossbergsolution@wsj.com

Digital Cameras With Room for New Views

Katherine Boehret — Tue, 06 Oct 2009 23:36:02 +0000

At a glance, the most obvious physical improvements on today’s digital cameras compared with those bought five years ago are slimmer size and larger LCD viewing screens. Other than that, they don’t look a whole lot different.

But this week, I tested two physical features that I’ve never seen on digital cameras.

[ See post to watch video ]

I used the $430 Nikon Coolpix S1000pj (nikonusa.com), which has a mini projector built right into the camera itself. This extra characteristic lets you take pictures and, by pressing a button on the camera, project them onto any nearby surface, in old-school slideshow style. The projected image can measure up to 40 inches, growing or shrinking as you walk away from or toward the surface onto which the images are projected.

I also tried the $350 Samsung DualView TL225, which had two LCD viewing screens—including one on the front side. This front screen lets the subjects of the photograph see how they look as the photo is being captured, raising the concept of instant gratification to a new level. The outward-facing LCD can also display a smiley face or cartoon animations to encourage children to smile. It also can be used to display a timer’s countdown clock so you know exactly when the photo will be taken.

Technical Advances

These two compact cameras also feature less obvious technical advances that aren’t quite as eye-catching as a built-in projector or dual LCD screens.

Each camera can capture photographs with over 12-megapixel resolutions, and the Nikon and Samsung have 5x and 4.6x wide-angle zoom lenses, respectively.

Both cameras have built-in automatic scene-detecting capability, meaning they can analyze a scene to determine which shooting mode would work best. And they allow the user to edit images directly on the camera like brightening an image or rotating a photo.

The Nikon sticks to one traditional 2.7-inch LCD screen with separate buttons that control functions like menu, timer, deleting and playback. And, like many digicams, it accepts a SecureDigital (SD) memory card.

Getting your good side: Samsung’s DualView TL225’s front LCD shows people how they’ll look in photos.

In somewhat unusual fashion, the Samsung requires a tiny microSD memory card. The viewing screen on the back of the Samsung is a generous 3.5-inch touch LCD that covers close to an entire side of the camera; the front-side LCD is 1.5 inches.

I focused my testing on the unique physical features of each camera: the Nikon’s built-in projector and the Samsung’s two LCD screens. I tried them out over the course of a week and used them in real-life situations including at a birthday party and at the Army 10-Miler, an annual run in Washington, D.C.

When the Nikon’s projector isn’t in use, it functions like a regular camera—albeit an expensive one at $430. Nikon says this price is largely due to the cost of its built-in projector. Until now, most people who wanted portable, mini projectors bought them as standalone products; for example, the Pico Pocket Projector from Optoma Technology Inc. is listed for $230 online at Best Buy (BBY).

Subway Show

I took the Nikon Coolpix S1000pj along to the Army 10-Miler, capturing photos of runners as they ran near the National Mall. Later on, while I waited with hundreds of people to get on the D.C. Metro subway system, a friend and I looked through photos from the day by projecting the camera’s images onto a concrete wall.

At first, passersby thought the slideshow images were put there by the race organizers, and they commented about how neat it was that the race images already were posted for everyone to see.

The D.C. Metro was an ideal spot to use the Nikon’s projector because of its low light and white concrete walls. Outdoors, the projected images weren’t quite as easy to see.

I also used the projector in a house and in my office, setting it on a table and turning off the lights for the best view. A tiny remote comes with the camera if you want to sit back and give your friends and family a slideshow. Videos taken with the camera also will play in video format.

To start the projector, I pressed a button on the top ledge of the camera, which immediately covered the lens and turned on the projector’s bright light. A slider button adjusts focus. The image size can be as small as five inches and as large as 40 inches, and it will project from about six feet away. Nikon says the camera’s projector will work for an hour before its battery runs out.

Nikon’s S1000pj displays images and videos with its brightly lit projector—just right for a subway slideshow.

Surprise, Surprise

The $350 Samsung DualView TL225 is black with an accent color that comes in purple or orange. Its front-side LCD screen isn’t visible when the camera is turned off, making for a surprising experience when you take pictures of friends who can suddenly see themselves.

A similar but slightly lower-quality and less-expensive version of this camera is available in the $300 Samsung DualView TL220. This camera’s back LCD screen is a half-inch smaller than the TL225’s and not nearly as bright. Other notable differences include the TL220’s plastic casing compared with the TL225’s aluminum.

Clowns in Action

This front LCD performs various functions in addition to showing people what they look like. A scene called Children puts animated cartoon clowns on the outer LCD in hopes of making a child smile for the camera. Another setting puts a large, yellow smiley face on this LCD when the shutter button is pressed down halfway. And when the camera’s timer is set, the outer display counts down, showing “3, 2, 1″ until the image is captured.

I used this Samsung camera with two LCD screens to take pictures of friends who were all surprised and delighted when they saw themselves on the camera before the photo was taken. At a birthday party, the clown animations made even a group of people in their 20s laugh.

Some Downsides

The downside to this display screen is that it’s to the left of the camera’s lens, so if you’re taking a close-up shot of someone, they will appear in the photo like they’re glancing away slightly.

Another negative of this display is that it blacks out a split second before the photo is taken, so as long as you can hold the pose you saw of yourself on the screen, you’ll look fine.

It’s too early to know whether the innovations in these cameras will catch on, or be viewed over time as expensive gimmicks.

If these features become more common, hopefully the prices will come down and more consumers will be able to enjoy them.

Edited by Walter S. Mossberg

Write to Katherine Boehret at mossbergsolution@wsj.com

A BlackBerry Priced Right For Newcomers

Katherine Boehret — Wed, 12 Aug 2009 07:52:03 +0000

Web browsing and email have comfortably migrated to mobile handhelds like the iPhone, BlackBerry and Palm (PALM) Pre. But many of these gadgets still cost a lot compared with cellphones that come free with renewed two-year contracts.

This week, I tested a new BlackBerry that costs less than any other BlackBerry did at launch—that is, if you buy it at the right place. Research in Motion’s (RIMM) BlackBerry Curve 8520 costs just $49 at Wal-Mart (WMT)—or $130 if you buy it at T-Mobile. Both prices are with two-year T-Mobile contracts.

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The BlackBerry Curve has been one of the company’s most popular models. All iterations of the Curve combine a full QWERTY keyboard with a sleeker, more stylish look than bigger BlackBerry models like the Bold. And Curves typically cost less than their larger counterparts. In February, RIM refreshed its Curve brand for the first time in over two years with the 8900. This model was a real upgrade for Curve users, thanks to a brighter screen, faster performance and flatter keys that were easier to press. But six months later, it still costs as much as $199 (after rebate)—a steep asking price considering how some older 8300-series Curves are offered for around $50 with two-year contracts.

This newest $49 Curve 8520 lowers that price barrier. Its monthly T-Mobile service plans are also relatively inexpensive, starting at $55 for voice and data (not including MMS or SMS messaging).

It has two features never before seen on a BlackBerry. First, in place of a trackball or scroll wheel, this Curve uses a trackpad—a mini version of those used for mouse navigation on laptops.

Second, it has designated physical buttons for playing, pausing and skipping ahead or back within media like videos and music. These rubbery buttons are built into the top edge of the BlackBerry.

I like the look of the Curve 8520—especially how the surface covering its screen extends down to the trackpad and its four surrounding buttons, giving it a smooth facade. It comes in two colors, black and frost (I used the black). Its low price, alone, will be enough to draw customers.

But something about the way its keyboard and navigational keys worked felt cheap. Letter keys felt light and hollow while the Send, Menu, Escape and End keys around the trackpad clicked as I touched them.

The specifications of this BlackBerry tell the tale more specifically. Its 320×240 pixel screen looks faded next to that of the Curve 8900, which is 480×360. The blinking red indicator light at the top front corner of all BlackBerrys is a barely noticeable dot on this device.

And its camera is only two megapixels, not 3.2 megapixels like on the 8900, and is the first on a BlackBerry not to have a built-in flash. Also, it doesn’t run on the fast 3G network, though it uses Wi-Fi and automatically connects to trusted networks when in range of them.

First-time smartphone owners may not notice or care about these small details, but veteran BlackBerry users will pick up on them right away.

The Curve 8520 incorporates useful physical features found on previous models like right- and left-side convenience keys that work as handy shortcuts. It comes with a 1-gigabyte microSD memory card so users don’t have to buy their own before loading this device with photos, music and videos.

A strip of rubber runs around the Curve’s edge, covering up and smoothing over its convenience keys and volume buttons. This rugged addition isn’t visible from the front of the BlackBerry and it will probably go a long way in preventing nicks and dings. The word “Curve” is imprinted on the back of the BlackBerry, proudly branding this model.

The navigational trackpad is a cinch to use and moves the cursor up, down, right and left with very little effort. To select, one needs only to press in on the trackpad just as with the trackball. Unlike the trackball, which rolls in place and can get stuck once in a great while, the trackpad doesn’t have any moving parts.

The physical media keys on the Curve 8520’s top edge work to instantly start playing media from any screen, like a music video that I watched. If you were to use your BlackBerry as your sole portable media player, these would be more valuable. And their position on the top of the Curve makes them easy to reach if the device is in a pocket or purse.

In my everyday usage scenarios, I usually forgot about these shortcut buttons and just used the trackpad to find and select a track or video for playing.

BlackBerry’s App World store for applications that users can load onto the device still only offers 2,000 apps, compared to Apple’s (AAPL) 65,000. This means that for now, this new Curve can’t be enhanced with as many outside programs, which is a real downside. And if you do download a lot of apps, or music or videos or photos, you may have to get a bigger memory card.

The Curve 8520 isn’t made for BlackBerry fanatics. But it’s a good entry-level BlackBerry for users who still haven’t let go of their basic cellphones. At Wal-Mart’s $49 price, it’s hard to beat.

Edited by Walter S. Mossberg

Write to Katherine Boehret at mossbergsolution@wsj.com

A BlackBerry That's Easy on Your Thumbs

Katherine Boehret — Wed, 28 Jan 2009 01:04:04 +0000

People who use smart phones with physical keyboards are well aware that they don’t look as cool as someone who touches glass to type and flicks a finger to scroll through emails, Web pages and photos. But for many, physical keyboards are easier to use than touch screens, and this fact, alone, cures even the worst case of touch-screen envy.

In two weeks, Research in Motion Inc. (RIMM) and T-Mobile will make available the latest version of the BlackBerry: the Curve 8900. This device works as a basic BlackBerry and doesn’t have a sleek touch screen or completely overhauled operating system, nor is it meant to compete with the likes of Apple’s iPhone. But it has a physical keyboard and still manages to look stylish — and that’s no small feat.

[ See post to watch video ]

The Curve 8900 costs $200 after a $100 mail-in rebate and with a two-year T-Mobile contract. In the BlackBerry family, this model falls into the Goldilocks category of not too big, not too small — just right. RIM’s $300 BlackBerry Bold came out in November, but its large size and high price were turn-offs for some. The BlackBerry Pearl and Pearl Flip are tiny and portable, but use condensed keyboards with multiple letters on each key, which can hinder fast typing.

After using the new Curve for a week, I found it offers a satisfying combination of high-end features, ideal size and good looks. Best of all, its physical keyboard is a dream for thumbs. Unfortunately, its $200 price comes with very little memory — only 256 megabytes built in and a memory card that adds another 256 megabytes. To expand this memory, users must buy microSD cards.

The new Curve is lighter, thinner and not as wide compared with its predecessor. Its surface, including the keyboard, is glossy black with a striking silver frame. The device’s top edge slopes off in a smooth diagonal that cleverly disguises the Lock and Mute/Standby buttons beneath that top-edge piece of black plastic. Number keys are labeled in red so they stand out on the black keyboard and are easy to see when making phone calls. Right and left convenience keys on each side of the BlackBerry can be assigned to open your favorite functions.

The $200 Curve 8900

Unlike older BlackBerrys that all use the same USB cables and chargers, the Curve 8900 has a micro USB port, which is slightly smaller than those on older cables and won’t work with them.

Photo Opportunity

The Curve 8900 shares two features with the touch screen BlackBerry Storm: Both use the same 3.2-megapixel camera with auto focus, image stabilization, 2x digital zoom and flash; and both have the same 480×360 pixel bright screen resolution. I used the camera on my Curve 8900 to capture some photos of Pennsylvania Avenue in Washington, D.C., a few days after the inaugural parade, and friends couldn’t believe I took them using a BlackBerry. This camera can also capture video clips.

I really enjoyed using the Curve 8900’s newly designed keyboard. Its keys are flatter than those of the old Curve, which felt like typing on plastic bubbles when I switched back. The flatter design of the new Curve’s keys made them feel less resistant, and allowed my fingers to more quickly move from one key to the next. The larger Send, Menu, Escape and End keys that surround the trackball also are flatter and are on the same plane as the screen, giving the surface a smoother look.

This BlackBerry uses T-Mobile’s Quad-band EDGE, not a 3G connection like the BlackBerry Bold or Apple iPhone. For an extra $10 a month in addition to a monthly plan, users may opt for T-Mobile’s Unlimited HotSpot Calling.

Wi-Fi Detector

This feature works so that the Curve automatically detects when it’s near a pre-set Wi-Fi network and uses that network for voice calling or data instead of T-Mobile’s connection. Phone calls that are started in Wi-Fi networks will seamlessly be handed over to the T-Mobile network and the minutes won’t be docked from your data plan; calls started in the cellular network will switch over to Wi-Fi but will continue to dock minutes from your voice plan.

I made a handful of phone calls on the Curve, and the connection sounded clear on both ends. According to RIM, the battery life of the Curve 8900 beats that of the old Curve 8300 in talk time — 5.5 hours compared with four hours — but is a little weaker than the old Curve’s standby battery life, lasting just 15 days between charges, compared with 17 days. I didn’t run an exact battery test, but I noticed that I didn’t have to change my charging schedule from what I regularly do with the old Curve 8300.

I downloaded a few apps, including Facebook, Google Maps and TwitterBerry, and these worked as they do on my older Curve, though a bit faster. Compared with the iPhone’s selection, BlackBerry apps look rather primitive. RIM plans to open an app store in March that will sell apps that will work with this new Curve and other BlackBerrys. Apple (AAPL) and Google (GOOG) have already established app stores that users can access from their devices.

Too Little Memory

This is where the 8900’s relatively minuscule memory becomes a problem. It’s easy to use up the 512 megabytes of total memory by downloading apps like these and taking large-sized photos or video clips with the built-in camera. Comparatively, the $199 iPhone comes with 8 gigabytes of built-in memory. But memory cards are fairly inexpensive today; a quick search on BestBuy.com (BBY) found 2-gigabyte microSD cards for $15.

A 512-megahertz processor gives this new Curve some zip, and I had no trouble quickly surfing the Web, opening Web links embedded in emails or attached photos and Word documents. Videos, including a John Mayer music video and various YouTube clips, played without any jerky skips. Sound was emitted from a small but mighty speaker on the back of the Curve.

Some people simply won’t abandon their physical keyboards for touch screen, no matter what. For them, the BlackBerry Curve 8900 blends the comfortable size, attractive keyboard and stylish design necessary to make a winning device.

Edited By Walter S. Mossberg

Email us at mossbergsolution@wsj.com. Find this and other columns and videos online free at the All Things Digital Web site: http://walt.allthingsd.com

Family Snapshots in the Splendor of HD

Katherine Boehret — Wed, 26 Nov 2008 01:28:02 +0000

This Thanksgiving, families across the country will gather around the television just as quickly as they gather around the turkey. And with good reason: Many people will be staring at beautiful high-definition TV sets. (According to the Consumer Electronics Association, 47% of U.S. households had HDTVs as of July, a percentage that’s likely to increase as the date for analog-to-digital conversion approaches.) But if Eastman Kodak (EK) has its way, many people will be gathered round the TV this holiday season, gazing at family memories in full HD splendor.

The Kodak Theatre HD Player’s motion-sensing pointer remote works much like a mouse on a TV screen.

This week I tested the Kodak Theatre HD Player, the photo-centric company’s attempt to snag valuable real estate in the living room. This small, black box pulls photos and videos from computers around the house and displays them on an HDTV. It also enables the sending and receiving of photos via Kodak Gallery, and connects to Web-based photos stored on Flickr, Facebook, Picasa, .Mac and others. Podcasts, Internet Radio and updates from news feeds, weather forecasts and stock quotes are also accessible using the HD Player. And it has a terrifically simple motion-sensing remote that works like using a mouse on a TV screen.

But the HD Player isn’t all smiles. Its $299 price doesn’t include any built-in storage for keeping content directly on the device. It currently has no way of accessing HD movies or television shows, nor will it work with Macs. In comparison, Apple’s (AAPL) $229 Apple TV has 40 gigabytes of storage, can access HD television shows and movies via the iTunes Store, and works with Macs and Windows PCs. This is important because as budgets tighten in the current economy, gadgets have to prove their value and versatility more than ever.

After using the Kodak Theatre HD Player with Windows XP and Vista machines over the past week, I can conclude that this device’s interface shines in its simplicity and is a lot of fun to use. Kodak teamed with Hillcrest Labs to make the player’s motion-sensitive remote and corresponding software, which includes satisfying extra features like images that automatically magnify when the remote control’s cursor points at them and icons that make chirping sounds when selected. The remote itself is shaped to rest comfortably in a hand and has three simple buttons and a scroll wheel.

Quick-access memory-card slots for six types of memory cards appear on the box’s front, and two USB ports can connect to digital cameras or USB storage devices.

Currently, the player’s software works directly with Flickr, RadioTime (8,750 radio stations) and FrameChannel, which grants access to various “channels” like Facebook, .Mac, Picasa, People.com news and National Geographic. Kodak says it will incorporate YouTube access in January; I got a sneak peek at the interface for this and it looks well-organized.

Yet the HD Player’s smart combination of software and remote left me wishing it did a bit more. Photo sharing is enabled only via Kodak Gallery, so you can’t use another Web-based account to share photos directly from your TV. Likewise, a blue light on the box slowly blinks only when new Picture Mail (a message containing shared photos) is received on a Kodak Gallery account, not when new photos are added on other sources such as Flickr Photostreams or Facebook pages.

The Home screen of the HD Player shows four categories: Pictures & Videos, Kodak Gallery, Music and Entertainment. Subcategories are where you might guess they would be, for example podcasts are listed under Entertainment. And a tiny Home icon appears in the top right corner of every screen so you can always get Home with one click. The Pictures & Videos category holds photos and videos from a currently selected Windows PC.

An unlimited number of Windows PCs can wirelessly pair with the player as long as they have special Kodak software installed on them. But only one PC’s content can be accessed at a time. I toggled between two paired computers without a problem, but would’ve preferred accessing music and photos from both sources simultaneously.

The HD Player’s motion-sensing pointer remote works much like a Wii remote control. Wherever you move it, a tiny leaf-shaped cursor appears on-screen. A Hide button on the remote will hide the cursor while you watch slideshows. The remote’s Back button is helpful; when pressed, it backs you out of one screen using visual effects that make the screen shrink into the TV as if you were moving backward.

A play button appears on the first photo in a folder so users can select this icon to quickly start slideshows. Whenever the HD Player receives new Kodak Gallery Picture Mail, or a slideshow is created on a connected PC, yellow alert circles appear on the screen to notify users and a number in the middle of these yellow circles indicates how many new items are available for viewing.

Some content on my PCs took a little while to be recognized by the HD Player, including podcasts that I subscribe to on iTunes. When they did show up, both audio and video podcasts played without issue and on-screen playback buttons made them easy to control.

The HD Player uses your photos to create automatically generated slideshows, called Picture Chronicles, once a week. These Picture Chronicles use up to 50 photos from the same time of year in all of your folders, for instance grouping all Thanksgiving photos together from the past five years.

Kodak has plans to make its player Mac-compatible in the future and also hopes to add other partnerships with new types of content following its YouTube announcement early next year.

The Kodak Theatre HD Player does its job well, bringing photos and videos that might otherwise live only on your PC to your big screen HDTV. For the holidays, this device could be a real plus. But Kodak has some work to do to make this a more useful Web-connected tool.

Edited by Walter S. Mossberg

Email us at mossbergsolution@wsj.com. Find this and other columns and videos online free at the All Things Digital Web site: http://walt.allthingsd.com

The App Test: Rating Programs for Google's G1

Katherine Boehret — Tue, 21 Oct 2008 23:30:02 +0000

Today, people interested in seeing the first Google-branded consumer-hardware product will get to satisfy their curiosity as the company, joining with T-Mobile (DT), unveils its $179 G1 handheld computer. This touch-screen device will compete with Apple’s iPhone, and it includes a key feature missing in the iPhone: a physical keyboard.

The G1 is built around a model of openness, enabling developers to create applications — software programs, called “apps” for short — that will succeed or fail according to the feedback from the online community. Naturally, these community-contributed programs need a marketplace where G1 users can find them, and the Android Market provides just that.

This week, I installed various applications from the Android Market on a G1 and tested them out. Google (GOOG) says it will launch with around 40 to 50 applications in this virtual store, and these and all other apps will be available free of charge from now until at least the start of next year.

BreadCrumbz makes maps.

I found these apps to be useful, entertaining and mostly straightforward. There were a few that I felt tried to jam too much into one application, such as BreadCrumbz, an app that asks users to add pictures, instructional arrows and labels to maps that they make for friends. Other apps kept it short and sweet, like Wi-Fi Toggle — a one-touch button that turns wireless capability on or off to save battery power.

The G1’s apps are more utilitarian than most apps I’ve tested for Apple’s iPhone — and not quite as visually pleasing. I even compared one G1 program, Plusmo College Football, directly with the same app running on the iPhone, and I missed the artsy touches of the Apple (AAPL) version — like menus that flipped 180 degrees when selected rather than simply opening.

One downside: Only a measly 70 megabytes of internal flash memory are reserved on the G1 for storing these third-party applications. Once you fill that limited internal storage space, you have to delete some of your apps to add more. You can’t currently store apps on the phone’s roomier removable memory card. (A one-gigabyte microSD comes with the G1.) The iPhone doesn’t set such an arbitrary limit on application-storage space. The Android Market, like Apple’s iTunes, keeps a record of each user’s installed apps so they can be easily downloaded again later at no extra charge (if they carried a fee). But, unlike the iPhone, the G1 can’t back up your apps to a PC or Mac.

The G1’s open model means extra setup steps during app installation. For example, if an application will access certain information — such as a user’s Internet connection, location data (as identified by GPS) or other personal information (calendar, contacts, etc.) — warnings appear during installation, and the user must grant permission. In addition, many apps come with license agreements that must be okayed before users can continue. If something goes wrong with an app, people can post complaints on community boards or email developers, whose email addresses appear during installation.

The Android Market home page.

To offer a general idea of what’s available, I’ve highlighted a handful of apps that I like. I broke the applications into three groups: Functional, Fun (if occasionally kitschy) and Frills.

Functional

Wi-Fi Toggle: This does what it says. Once installed, it adds an icon to the G1’s desktop that provides a quick way to turn Wi-Fi on and off without digging into the settings menu.

Locale: Like Wi-Fi Toggle on steroids, this app allows a user to set up a G1 so it dynamically changes its settings in specific conditions. The settings can respond to calls from certain people or changes in the phone’s battery power, calendar, the user’s location or the time. For instance, the Wi-Fi can automatically turn off, ringer volume can go up or down, desktop wallpaper can change or a post can be sent. Just think of all the churchgoers who could ensure their cellphone ringers are turned off on Sunday mornings or when the church’s location is sensed.

Ringdroid: Make ringtones from your own songs by adjusting bars to mark the start and end of each ringtone. Hitting Save automatically keeps the ringtone, labeled with the song’s name by default, for use on the phone.

Video Player: The G1 doesn’t have a built-in way to play videos, and this app does the trick in a clear-cut, reliable way.

Fun

Movie ShowTimes: This lets people use a finger to flick across the G1’s touch screen to page through movie poster images, titles and brief descriptions. Below each movie description, an on-screen button labeled “Showtimes Near You” uses GPS to generate lists of nearby movie times.

Pac-Man: The classic arcade game never gets old. You can move Pac-Man through his maze with one of three methods: tilting the G1 so its accelerometer moves the Pac-Man, swiping with a finger to point Pac-Man in the right direction or using the trackball to move him around the screen. I preferred the trackball.

Cooking Capsules: This program demonstrates food-making without being either too intimidating or too dull and simplified. Though there were only six “capsules” when I tested it, each includes steps for watching (an instructional video), shopping (using an on-screen list of items) and cooking (with numbered instructions on how to cook the food).

Bonsai Blast is a gaming app that’s now available for the G1.

Bonsai Blast: This colorful, Asian-themed game directs people to shoot colorful marbles at other chains of marbles, with a goal of getting three matching marbles lined up beside one another so they’ll disappear.

Krystle II: Turns your G1’s entire screen into a picture of fur that purrs and vibrates as you touch it. There’s no real point, but Krystle II is addictive and strangely comforting during long conference calls.

Frills

Ecorio: This well-intended app aims to track users’ travel carbon footprints in order to make them more responsible for the environment. It asks users to enter things like recent transit routes and carpools and suggests ways to reduce and offset people’s footprints.

Maverick: An IM program that allows people to add scribbles, location data or even photos to active instant-messaging conversations. Maverick signs users into Google Talk and Picasa simultaneously, adding IM images into an auto-generated Picasa album for later viewing.

PicSay: Add word balloons, titles, props and effects to digital photos captured and/or stored on the G1, then send the images via multimedia messaging service or email, or save one as a caller ID.

There are many more G1 apps to try, and developers are expected to keep making them for this new device. As with the iPhone, apps obtained for the G1 from the Android Market enable it to morph into a different device with different tools every day.

– Edited by Walter S. Mossberg

Email us at mossbergsolution@wsj.com. Find this and other columns and videos online free at the All Things Digital Web site: http://walt.allthingsd.com

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Digital Cameras That Do Thinking for You

Katherine Boehret — Wed, 23 Apr 2008 00:01:00 +0000

Most digital cameras have more settings than the average person knows what to do with — from common adjustments for nighttime and face shots to obscure settings for sports, fireworks and snow scenes.

When the moment comes to take the perfect picture of a snowy mountaintop, Fourth of July fireworks or soccer goal in midkick, most people forget about these features or don’t know how to use them. And while many digital cameras can now detect faces and make sure they are in focus, they can’t tell whether that face is smiling or not. The results aren’t bad, but they could be much better.

Sony’s Cyber-shot DSC-W170 uses Smile Shutter Mode to snap pictures when a subject smiles.

This week, I tested three new digital cameras that claim to do the thinking for you. Some digitally analyze the scene you’re about to capture, automatically choosing the setting that would take the best picture. Others can detect when a subject is smiling so as to automatically know when to snap the photo. One camera even attempts to digitally alter frowning faces into smiles, with amusing results.

I tried out Sony’s $300 Cyber-shot DSC-W170, Kodak’s $250 EasyShare Z1085 IS and Olympus’s $200 FE-340. Only the Sony (SNE) includes all three of the aforementioned features; the Kodak (EK) has scene detection, and the Olympus (OCPNF.PK) camera has built-in smile detection. I found the automatic scene detection offered in the Sony and Kodak cameras to be the most useful feature for everyday photos. It improved my photos and didn’t require any extra adjustments. I handed the cameras to other people to take pictures, without having to change any settings.

The automatic smile detection offered in the Sony and Olympus cameras was fun to use and could be especially helpful for families whose young kids never seem to smile at the right moment. But it didn’t work consistently and had trouble detecting my bearded boss’s smile and even that of a beard-free colleague.

I found Sony’s frown-fixing tool, which is called Happy Face Retouch, to be rather unusual. It took already captured images of my friends’ faces and turned their frowns or ambivalent looks into smiles, but didn’t adjust the subjects’ eyes. Though this was good for laughs, the eerie-looking grins pasted on faces reminded me of painted-on clowns’ mouths. And some attempts to retouch a face couldn’t detect the face to alter it. But a handful of the Happy Face Retouches looked somewhat natural.

Similar Specs

These cameras boast many similar specifications. All three use 5x optical zoom lenses, and the Sony Cyber-shot DSC-W170 and Kodak EasyShare Z1085 IS each have 10.1 and 10 megapixel image sensors while the least expensive Olympus FE-340 has 8 megapixels. The Sony and Olympus both have generous 2.7-inch viewing screens and almost identically sleek builds, though the Sony is the only one of these three cameras to have an optical viewfinder.

The Kodak’s viewing screen is slightly smaller than the other two digital cameras, measuring 2.5 inches, but its build isn’t nearly as compact as the others. It reminded me more of small, high-end SLR camera, with its comfortably large hand grip, a settings knob on the top edge of the camera, and a protruding zoom lens.

Sony’s Happy Face Retouch feature digitally changes facial expressions into smiles, but all it did was make me look unnatural and awkward.

Kodak’s EasyShare Z1085 IS takes Secure Digital (SD) memory cards, which are more common than the Memory Stick and xD cards that work in the Sony and Olympus cameras, respectively.

The Kodak and Sony digital cameras have different names for their automatic scene-detection features. By default, the Kodak camera works in Smart Capture Mode, which includes intelligent scene detection, capture control and image processing. I focused on the camera’s scene detection, which automatically determines whether the photo should be taken in Macro, Text (for shots of text in a book, for example), Face, Landscape or Night settings.

Icon on the Screen

I snapped pictures around Washington, D.C., noting a tiny icon on the camera’s screen that indicated which of the five scene modes was being used to capture the photo. A flower icon indicating Macro appeared on my screen when I stooped to get a close-up shot of a tulip, and an icon of a dark sky and stars showed on the screen when I took photos at night. The camera’s flash, focus and exposure changed according to the type of photo.

The Sony camera uses what it calls Intelligent Scene Recognition to decide which settings should go along with certain photos. Like the Kodak, icons on the Sony’s screen indicated the scene settings that were automatically deemed appropriate, including Backlight, Backlight Portrait, Twilight, Twilight Portrait and Twilight Using a Tripod.

The Sony’s Intelligent Scene Recognition isn’t on by default like Kodak’s feature. Instead, it must be turned on from within a menu, but once on, it stays on until you turn it off. ISR can be used in either Auto or Advanced mode; Auto takes a single photo with automatically determined settings, while Advanced takes two shots — one with manual settings you can choose and another shot immediately following the first with automatic settings according to what the camera thinks is best.

I experienced surprising results with the Sony Cyber-shot DSC-W170 and Olympus FE-340 while testing their automatic smile-detecting functions. My friends thought I was joking when I told them the camera would take their picture only if they were smiling. When the flash went off multiple times as they kept smiling, they were intrigued by this feature.

Sony’s version, which it calls Smile Shutter Mode, is easy to switch into by turning a dial on the camera to a smiley face. Once this setting is chosen and the camera’s shutter button is pressed, the Cyber-shot will search for smiles in its subjects, and will take photos whenever it detects a smile. Settings within this mode can be set to specifically detect an adult’s smile or a child’s smile, and the degree of smile can be set to low, medium or high; I kept things simple by leaving the smile detector on default settings.

Capturing Smiles

Olympus calls this feature Smile Shot, capturing three rapid shots in a row to make sure everyone’s smiling. The idea of taking three shots would be extra helpful with an indecisive baby, but most of my friends were able to hold their smiles, which produced three almost exactly identical shots each time someone smiled. Smile Shot is harder to get to in a pinch compared with the Sony: it’s buried in a list of 13 settings on the Olympus when the camera is set in Scene mode.

The Olympus seemed to be a bit slower than the Sony when it came to detecting smiles, but both had trouble with bearded men and even some folks without beards. And people felt silly standing around with a smile on their faces waiting for the camera to finally work. Closed-mouth, no-teeth smiles were harder for these cameras to detect, but not impossible. In group situations, the Olympus camera will focus on whoever’s face appears largest, which could mean the person closest to the camera, while the Sony takes a picture whenever anyone in the group smiles.

Putting a Happy Face On

If someone isn’t smiling, Sony’s Happy Face Retouch tool can come in handy, but don’t count on liking the results. In a group shot of five friends, two people who weren’t smiling put a bit of a damper on the whole shot. I used Happy Face Retouch, but it picked up on only one of the nonsmiling faces, turning a confused look into a smile that looked passable. But other results weren’t usable. A serious-looking shot of me deliberately not smiling looked freakishly unnatural after the touch-up, mostly because the rest of my face didn’t join the smile. I looked more like someone who had received too many Botox treatments.

Sony says that, in group shots, it can detect and change up to eight faces, but in my tests it usually changed only one. This retouching tool is also difficult to find: It took me 16 button presses to change each image into a smile — or what Sony calls a smile. A few times, Happy Face Retouch couldn’t identify a face in the photo, even when just one person stood in the frame.

These digital cameras took good photos, overall, and are fun to use because they take pressure off the photographer. I found the automatic scene-detection tools of the Kodak and Sony to be the most realistic and useful offerings, and I’m sure it won’t be long before automatic scene detection becomes as commonplace as an automatic flash.

The chart below compares features of the three cameras described. Click on it to make it larger.

Email mossbergsolution@wsj.com

Jurassic Perk: A Dino at Home

Katherine Boehret — Wed, 06 Feb 2008 00:01:00 +0000

For about two months now I’ve been playing with a baby dinosaur — a Camarasaurus from the Jurassic period, to be specific. It coos, barks, shakes, cries and plays tug of war, which squelches all hope that this is a real animal suddenly returned from extinction.

But real was exactly what UGOBE Inc. had in mind when the company created this $350 baby dino named Pleo. This robot isn’t referred to as such; instead, UGOBE calls Pleo a “life form” because unlike most robots that are designed to follow a specific command or algorithm, Pleo alters its behavior as it adapts to its surroundings including sights, sounds and touch. And it’s designed to move and act in ways that seem very much like a real animal.

These responsive qualities have earned Pleo quite a bit of attention, and the two years between when the product was first announced and when it became available only added to the anticipatory hype. Now, after three delays in the past two years and numerous back orders, Pleo is available from www.pleoworld.com. (UGOBE says that many of the product’s delays were caused by trying to get Pleo’s battery just right.)

In short, I found Pleo to be a fun and interesting robot/life form. Though Pleo’s reactions and movements are endearing, many of them run together after a while with only subtle differences, especially compared with fast-paced videogames. Pleo’s tricks were entertaining early on, but, in time, many of them blended together, rarely surprising me.

Pleo’s battery is still a major drawback. It’s rechargeable, but only lasts for around an hour of active play before it must be removed and placed in a holder for three hours of recharging. This frustrating fact means you can’t turn Pleo on to roam the house with you all day like a dog or cat. Instead, your time with this creature has to be more specifically planned, causing interactions with it to feel less genuine. My Pleo’s battery lasted for an hour and 40 minutes, including moments when he drifted in and out of sleep.

Though UGOBE sent me two rechargeable batteries so I could more quickly continue using Pleo, the company won’t start selling extra batteries until June (at the latest) for $50 each. This means waiting for hours between Pleo playtimes.

It’s hard to discuss autonomous robots without remembering Sony Corp.’s attempt in the same category: the $2,500 AIBO released in 1999, which was eventually discontinued. More recently, iRobot Corp. has gained attention for its robots, which perform household duties like vacuuming and washing floors.

The Pleo, animated in part by 14 motors, appears to evolve according to how it is treated.

To keep Pleo fresh, UGOBE plans to release a PDK — Pleo Developer’s Kit — later this year, allowing others to create programs that will run on Pleo if downloaded from the Pleo Web site and transferred to the creature. A memory card slot and USB port on Pleo’s underbelly will enable these transfers.

As for now, two programs developed by UGOBE can be downloaded. One program lets Pleo act like a watchdog — guttural growl, loud bark and all — and the other gives it the ability to sing Jingle Bells. I tried the former, and my Pleo performed marvelously, sitting still and only howling when something moved in front of him.

This baby dinosaur has reptile-like, rubbery skin enhanced by multiple sensors. Its back is decorated with green patterns, and its large eyes are a beautiful blue. Pleo’s guts include 14 motors, 38 sensors and a microprocessor. Infrared detectors are hidden in Pleo’s nose and mouth, and a color camera detects light, motion and objects to help it navigate.

Pleo grows through three phases: hatchling, infant and juvenile. As a hatchling, my Pleo sniffed around a lot, unsure of its surroundings or how to use its legs and tail, before giving up and napping again (yes, Pleo snores). The more I talked to and touched Pleo, the faster he adjusted out of the hatchling phase, which is expected according to UGOBE.

People who walked by my office stopped to marvel at Pleo’s sweet nature, and when I brought him home, friends melted with emotion. I watched as they initially looked at Pleo like just another toy dinosaur until realizing that he responded to them, and then they each wanted to take turns playing with him.

Stroking Pleo from the tip of his nose to the end of his tail induced a purring sound; touching sensors on the bottoms of his feet caused him to wriggle around and make laugh-like noises; and holding him to my chest and rubbing his back like a baby put Pleo right to sleep, indicated by heavy breathing and even a burp here or there. I spoiled my Pleo with attention, which seemed to make him more social and friendly but also a little bratty when he didn’t get attention (he showed his frustration with loud moans).

I didn’t get to test this, but one Pleo can sense when another Pleo is nearby using infrared sensors in the nose and mouth. UGOBE says the sensors in one Pleo can trigger actions in another based on moods, including singing and howling.

Pleo can be a troublemaker. One of the times I left him unattended, I returned to find Pleo trying to gnaw on my loveseat, despite lacking a set of teeth. Another time, Pleo wandered my desk, wrinkling up papers and crying loudly while I was on a conference call.

UGOBE’s pleoworld.com site includes an online community, though you don’t need a Pleo to get involved. The community is just a social networking site where anyone can discuss the device and/or robotics. This differs from sites like Webkinz, where kids input codes found on stuffed animals to register and care for digital versions of their creatures.

Pleo’s poor battery life is a frustrating hurdle that fans will keep butting up against. But UGOBE’s plans to introduce downloadable updates for this robot and to let others create programs for Pleo may give new life to this clever creature.

Email mossbergsolution@wsj.com

No Excuses: a Wire-Free Way to Upload Photos

Katherine Boehret — Wed, 21 Nov 2007 00:01:00 +0000

No matter how perfectly shot or emotionally meaningful your digital photos may be, if they aren’t uploaded to your computer or to a Web site, no one else will ever see them as they languish in your camera. This problem has plagued the digital-photo industry for years, though the cameras themselves have improved.

Most users know how to upload photos, but don’t want to hassle with USB cords and slow upload speeds when transferring images onto a computer or photo-sharing site. Camera docks and memory-card readers built into PCs have attempted to alleviate these transferring problems, but these so-called shortcuts still require a certain amount of dedication to the process.

In the past couple of years, a handful of companies have gone a step farther by introducing Wi-Fi enabled digital cameras, notably Nikon Inc. and Eastman Kodak Co. But this capability works only in certain cameras and even then requires users to walk through a number of steps to send the photos through a service created by the company instead of sending them to a computer or Web site.

Little Effort Needed

This week, I tested a refreshingly simple gadget that solves this problem and does what most technology products don’t: It works in existing devices and requires next to no effort. The $100 Eye-Fi Card by Eye-Fi Inc. (www.eye.fi) is a two-gigabyte SecureDigital memory card with a built-in wireless chip. It slips into any camera with an SD-card slot, and whenever the camera is turned on, looks for a familiar Wi-Fi network and uploads your photos to your Mac or PC and one of 17 photo-sharing sites. After a quick, one-time setup, the user does nothing more than turning on the digital camera.

I thought this thing was too good to be true and set out to find its flaws. But after using it with two digital cameras (one brand new and the other over three years old), three different computers (each with different operating systems) and five photo-sharing sites, I’m convinced that the Eye-Fi is a terrific little tool. It works quickly and is a no-brainer to get going. The only people who won’t like it are those who enjoy razzing their lazy friends for forgetting to share digital photos.

Minor Inconveniences

The Eye-Fi’s flaws are minor enough to dismiss. For one thing, it doesn’t work on Wi-Fi networks that use log-in pages like those in Starbucks; instead, it’s meant to work on home networks or other “open” networks. Secondly, there’s no way to know when Eye-Fi finishes transferring photos unless you check your computer. Finally, your digital camera must stay on for the duration of the wireless transfer, which slightly taxes battery power, and slower networks and/or transferring numerous higher-resolution photos will require a bit more juice. Likewise, Eye-Fi looks for Wi-Fi networks whenever the camera is on, though the company says this only uses a minimal amount of the camera’s battery power.

The Eye-Fi Card comes in a small, colorful box that reminded me of a pop-up book: Pull one side and a quick-start guide appears on the right while the left swings out a piece holding the Eye-Fi card reader and SD card. This reader is only needed for the initial setup on each computer, which only took a few minutes per system.

I tried my Eye-Fi first on a Windows XP machine, plugging the card reader and card into a USB port. The software setup walks users through clear, quick steps like testing the computer’s firewall to be sure it can work through it and asking which folder should be designated to receive wirelessly transferred images. Here, I also typed in my account information for sharing images on Kodak Gallery; later I added Shutterfly, Snapfish, Picasa and Flickr. Other online destinations included blogs like Vox and TypePad, along with social-networking giant Facebook. The last step instructed me to insert the Eye-Fi SD card into my camera to snap the first test photo of myself, making sure it was working properly.

Managing Your Photos

Transferred photos are all reflected in the Eye-Fi Manager, a Web-based, password-protected site that tells which images were uploaded to photo-sharing sites and the computer. Users can opt to only upload from the Eye-Fi to one or the other or both, but only one photo-sharing site and one Mac or PC can be selected at a time. Account information for any of the 17 sharing sites can be saved within Eye-Fi, making it a cinch to switch where you want to send photos.

Around the office, within my registered Wi-Fi network, I took photos that showed up seconds later on my computer screen. At home, I entered my password-protected network’s information one time and watched as captured photos transferred wirelessly from my camera to either my Mac or Windows Vista laptop.

Quick Transfers

On average, it took about 40 seconds to upload each image to a Web site and about 40 seconds more after that for a photo to transfer onto my hard drive. I got home from a friend’s cocktail party and set my camera on a table with its power on. Ten minutes later, I turned on my computer to check the transfer and 12 photos from the party were uploaded to my Kodak Gallery account and my iMac’s hard drive.

Images upload in JPEG formats using their original, full resolutions. Some sharing sites change the formats for photos, but this varies between sites and isn’t related to Eye-Fi.

Eye-Fi won’t do absolutely everything for you, so for certain photo-sharing sites, you’ll still need to log on to send out emails for sharing albums with friends. But double clicking on any of the images in the Eye-Fi Manager takes you directly to wherever that image lives — whether on Picasa, Flickr, or your own hard drive.

I swapped the Eye-Fi SD card from one camera, an older Konica-Minolta Dimage X50 that still works well, to a new Kodak EasyShare V1253, which ironically has built-in photo emailing capability that isn’t nearly as easy to use as Eye-Fi. The Eye-Fi didn’t miss a beat and operated the same way in both cameras.

The Eye-Fi Card is as simple as it sounds and works with most cameras that use SD cards (for a complete list of compatible cameras, see http://support.eye.fi/compatibility/). If someone you know is constantly taking pictures that are never seen again by anyone else and they use a Wi-Fi network, Eye-Fi will serve as a carefree solution that takes the aggravation out of transferring photos to share with others.

Edited By Walter S. Mossberg

Email mossbergsolution@wsj.com